Chrissy Cunningham (
queenofhawkinshigh) wrote2022-07-02 08:36 pm
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in that pink dress, they're gonna crucify me
She shouldn't be here. Going into Eddie Munson's trailer to buy drugs is just about the last thing a girl like her should be doing, and Chrissy knows it. That isn't, though, what has her trembling and looking over her shoulder, teeth pressing to her lower lip as they step inside. For anyone to see her now would be the least of her problems, and that's saying something. She can only imagine how they'd react — Jason, her parents, everyone at school. The golden girl, not so golden anymore, all of the effort she's put into not letting anyone see that she's never been that — not golden, just gilded, a perfect surface covering anything but — for naught.
It's worth it, completely, if it clears her head for even just a little while, if it lets her catch her breath. Besides, while he's little more than a stranger, she got the foolish sense, earlier in the woods, that he wasn't looking at that thin gold varnish, but at her, the first person who's actually seen her and not just either what she wants them to see or all her shortcomings in a long time. Just the thought of it makes her feel even crazier than she already does, and she wouldn't have the first idea how to say so without sounding unbelievably stupid, but it makes it easier to follow him inside, arms wrapped around herself and fingers toying absently with the sleeves of her sweater as she looks around.
"Sorry for the mess. Maid took the week off," Eddie says, wry, and Chrissy would smile, offer a reassurance or joke in turn, if her nerves weren't so shot. She wants what she came here for. Anything else can wait.
"You, um... You live here alone?" she asks instead. She doesn't know anything about him, she realizes, except what everyone knows. He's been a senior for years, he sells drugs, he's supposedly a freak. He plays guitar, she knows that now, too. And he's warm, something that makes her feel a little guilty for being so rushed as he searches for the drugs she came here for.
"With my uncle," he answers, moving further into the trailer. "But, uh, he works nights at the plant, bringing home the big bucks."
Heart racing, she turns toward him. "How long does it take?" she asks abruptly. She's never done anything stronger than an ibuprofen or an antibiotic before. This is entirely uncharted territory, and it's terrifying, if not as much so as living with what's in her head. "The Special K. How long to kick in?"
"Oh, uh, well, it depends if you snort it or not," Eddie tells her, with an ease that makes her wonder just how much experience he has here. "If you do, then, uh, yeah. It'll kick in pretty quick."
She nods along. Quick is what she wants. When Eddie looks in yet another little container and says "Oh, shit," though, she feels a fresh burst of nerves. "You're sure you have it?"
"No, no, no, I got it," he assures her quickly. "Uh, somewhere." Without another word, he holds up a hand and runs into the back, where she can only assume his room is, leaving her standing in what amounts for the trailer's living room. It's not such a bad place, really. Run down and lived in, sure, but comfortable —
Or it would be, if the clock weren't beginning to chime.
Gasping, Chrissy turns toward the window, looking out at the still, dark night. There's nothing there, nowhere the ticking sound could be coming from except her own mind. She pulls the curtains shut quickly, turning in the direction of the hallway again. "Eddie?" she calls, trying not to sound so frantic, mostly failing. "Did you find it? Eddie?"
There's no answer. She definitely shouldn't be walking back to Eddie's bedroom, but she's desperate and she needs this now.
She calls his name again, but when she turns into the room, hand against the door frame, he isn't there. Her mother is, sitting at her sewing machine, altering her cheer uniform. "Mom?"
"Just loosening this up for you, sweetheart," her mother says, as sweetly cruel as ever. "You're going to look absolutely beautiful."
Her voice changes, deepens, distorts. Chrissy doesn't have a chance to react before her mother turns, and her face is — wrong, somehow, smile pulled too tight, eyes gone white. With a sharp breath, she pulls the door shut, anything to put distance between them, and she's not at Eddie's, she's at home. How could she be at home?
"Chrissy!" comes her mother's voice from behind her, still with that strange, distorted echo, the door giving way. Instinctively, Chrissy yanks it shut again, fighting as best she can, unable to help letting out a shriek. "Chrissy, open the door! Let go! Let go!" She doesn't want to let go, but she can't hold on, and she's taking off down the hall as soon as the door flies open, not wanting to see what's behind it. Bolting down the stairs, she pauses for just a moment, taking stock of her surroundings. There's a light in the den. Maybe her father will help her. Maybe he needs help.
"Dad!" she calls, taking off again, running to him. "Dad! Dad?"
He turns toward her. His eyes and mouth are sewn up. She screams again, this time loud and long and shrill, until the lights start flickering, and she knows she's caught. There are footsteps on the stairs that definitely don't belong to her mother, a deep voice, one that's become familiar by now, saying her name. She runs anyway, because it's all she can do, away from her struggling father, into the dining room, where she takes in the sight of food on the table — rotted, covered with flies and spiders — before she keeps going, trying to get to the front door, her best possible means of escape.
Throwing the double doors open, she finds, instead of a way out, wooden boards, keeping her trapped in here. "No!" she says, pounding against the planks, throwing her body against them. "Help, help! Somebody help me!"
No one comes. No one hears her. No one's ever heard her.
"Chrissy," the deep voice says again, rounding the corner now. There's nowhere left for her to go, nothing for her to do but cry as the horrible creature encroaches on her, shrinking back like it will make any kind of difference. "Don't cry, Chrissy," he says, lifting one hand, a long, wet, spindly finger brushing a tear off her cheek. "It's time for your suffering to end."
He says it almost like it's a good thing, like he means to be compassionate, like he hasn't been haunting her for days and chasing her through her own home. And she did want that, didn't she? Not to hurt anymore, the way she's hurt for so long. She just didn't want it like this, the thought just barely crossing her mind before he extends his hand, holding it up over her face, snapping her head back.
Everything hurts, her mind and body both, and then everything goes dark. Somewhere, Chrissy crumples, a cheerleading uniform-clad heap on the ground.
It's worth it, completely, if it clears her head for even just a little while, if it lets her catch her breath. Besides, while he's little more than a stranger, she got the foolish sense, earlier in the woods, that he wasn't looking at that thin gold varnish, but at her, the first person who's actually seen her and not just either what she wants them to see or all her shortcomings in a long time. Just the thought of it makes her feel even crazier than she already does, and she wouldn't have the first idea how to say so without sounding unbelievably stupid, but it makes it easier to follow him inside, arms wrapped around herself and fingers toying absently with the sleeves of her sweater as she looks around.
"Sorry for the mess. Maid took the week off," Eddie says, wry, and Chrissy would smile, offer a reassurance or joke in turn, if her nerves weren't so shot. She wants what she came here for. Anything else can wait.
"You, um... You live here alone?" she asks instead. She doesn't know anything about him, she realizes, except what everyone knows. He's been a senior for years, he sells drugs, he's supposedly a freak. He plays guitar, she knows that now, too. And he's warm, something that makes her feel a little guilty for being so rushed as he searches for the drugs she came here for.
"With my uncle," he answers, moving further into the trailer. "But, uh, he works nights at the plant, bringing home the big bucks."
Heart racing, she turns toward him. "How long does it take?" she asks abruptly. She's never done anything stronger than an ibuprofen or an antibiotic before. This is entirely uncharted territory, and it's terrifying, if not as much so as living with what's in her head. "The Special K. How long to kick in?"
"Oh, uh, well, it depends if you snort it or not," Eddie tells her, with an ease that makes her wonder just how much experience he has here. "If you do, then, uh, yeah. It'll kick in pretty quick."
She nods along. Quick is what she wants. When Eddie looks in yet another little container and says "Oh, shit," though, she feels a fresh burst of nerves. "You're sure you have it?"
"No, no, no, I got it," he assures her quickly. "Uh, somewhere." Without another word, he holds up a hand and runs into the back, where she can only assume his room is, leaving her standing in what amounts for the trailer's living room. It's not such a bad place, really. Run down and lived in, sure, but comfortable —
Or it would be, if the clock weren't beginning to chime.
Gasping, Chrissy turns toward the window, looking out at the still, dark night. There's nothing there, nowhere the ticking sound could be coming from except her own mind. She pulls the curtains shut quickly, turning in the direction of the hallway again. "Eddie?" she calls, trying not to sound so frantic, mostly failing. "Did you find it? Eddie?"
There's no answer. She definitely shouldn't be walking back to Eddie's bedroom, but she's desperate and she needs this now.
She calls his name again, but when she turns into the room, hand against the door frame, he isn't there. Her mother is, sitting at her sewing machine, altering her cheer uniform. "Mom?"
"Just loosening this up for you, sweetheart," her mother says, as sweetly cruel as ever. "You're going to look absolutely beautiful."
Her voice changes, deepens, distorts. Chrissy doesn't have a chance to react before her mother turns, and her face is — wrong, somehow, smile pulled too tight, eyes gone white. With a sharp breath, she pulls the door shut, anything to put distance between them, and she's not at Eddie's, she's at home. How could she be at home?
"Chrissy!" comes her mother's voice from behind her, still with that strange, distorted echo, the door giving way. Instinctively, Chrissy yanks it shut again, fighting as best she can, unable to help letting out a shriek. "Chrissy, open the door! Let go! Let go!" She doesn't want to let go, but she can't hold on, and she's taking off down the hall as soon as the door flies open, not wanting to see what's behind it. Bolting down the stairs, she pauses for just a moment, taking stock of her surroundings. There's a light in the den. Maybe her father will help her. Maybe he needs help.
"Dad!" she calls, taking off again, running to him. "Dad! Dad?"
He turns toward her. His eyes and mouth are sewn up. She screams again, this time loud and long and shrill, until the lights start flickering, and she knows she's caught. There are footsteps on the stairs that definitely don't belong to her mother, a deep voice, one that's become familiar by now, saying her name. She runs anyway, because it's all she can do, away from her struggling father, into the dining room, where she takes in the sight of food on the table — rotted, covered with flies and spiders — before she keeps going, trying to get to the front door, her best possible means of escape.
Throwing the double doors open, she finds, instead of a way out, wooden boards, keeping her trapped in here. "No!" she says, pounding against the planks, throwing her body against them. "Help, help! Somebody help me!"
No one comes. No one hears her. No one's ever heard her.
"Chrissy," the deep voice says again, rounding the corner now. There's nowhere left for her to go, nothing for her to do but cry as the horrible creature encroaches on her, shrinking back like it will make any kind of difference. "Don't cry, Chrissy," he says, lifting one hand, a long, wet, spindly finger brushing a tear off her cheek. "It's time for your suffering to end."
He says it almost like it's a good thing, like he means to be compassionate, like he hasn't been haunting her for days and chasing her through her own home. And she did want that, didn't she? Not to hurt anymore, the way she's hurt for so long. She just didn't want it like this, the thought just barely crossing her mind before he extends his hand, holding it up over her face, snapping her head back.
Everything hurts, her mind and body both, and then everything goes dark. Somewhere, Chrissy crumples, a cheerleading uniform-clad heap on the ground.
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Now here they are.
"Here, I'm gonna... I-" He gestures, then stands up, rather than explaining what he's about to do. He goes down the hall and opens the linen closet, which itself is wild, because he never expected to find himself in a place with a linen closet. But he gets a blanket, one of the nice clean ones that had been here from day one, and comes back to the living room to offer it to Chrissy.
"We can just watch TV or something," he says.
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When he reemerges just a moment later with a blanket, though, she relaxes again, smiling in relief and surprise both. She knows why she assumed he would be mean and scary, but it seems unbelievably ridiculous of her now. Really, if anything, he's just sweet.
Suspecting he might object to that description, though, she doesn't say so, just reaches out to take the blanket from him. "Thanks," she says as she does, lowering her legs at last so she can toe off her sneakers and tuck her feet up beside her instead. Unfolding the blanket, she spreads it across her lap, careful to leave enough on the side for him to share if he wants. "That... sounds really nice, actually."
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He isn't even sure why it matters.
"TV's weird here," he tells her as he grabs the remote off the coffee table and turns it on. "It looks way better and the shows are different. No more laugh tracks most of the time."
What a stupid thing to say. He doesn't know why Chrissy would care about laugh tracks or the quality of the TV shows.
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It should feel more uncomfortable than it does, sitting here on Eddie's couch. There's some awkwardness, sure, but Chrissy figures that's really just her and the fact that she has no idea what to do or say now. They haven't exactly spent a lot of time together before. They might never have spoken again at all if she hadn't thought she was having some kind of nervous breakdown, and there's something kind of sad about that.
"What's your favorite thing to watch?" she asks suddenly, curious. It seems like a good enough place to start, something to talk about that has nothing to do with what happened to her.
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"Oh, there's this show, it's the stupidest thing," he begins to tell her. "All these different psychologists and dating experts match total strangers and they get married. Just like that. The show kind of follows them and sees how they manage."
It's stupid, just like he's said, but it's distracting and entertaining and he's needed that lately.
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She pauses for a moment, but doesn't wait for a response before she speaks again. "I really like old movies," she tells him. He hasn't asked, but it only seems fair to follow his answer with her own. "You know, like... Audrey Hepburn, Cary Grant, Marilyn Monroe. That sort of thing."
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Seems like kind of a shit future as far as Eddie is concerned. He's not sure why anyone would want that.
"Yeah?" he asks, looking over at Chrissy with a smile. He jabs a few buttons on the remote, still trying to figure out how it works, then switches to the channel that seems to show old black and white movies more often than not. "Like this?"
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She doesn't recognize offhand whatever is on now, but based on what he's told her, it might not be anything she could be familiar with anyway. The vibe is comforting enough regardless. Being here is, too, at least as much as anything could be right now. "Thanks," she says again, fingers idly clasping at the blanket over her legs. "I know I keep saying that, but... it's really nice of you. Letting me hang out here for a while, and all."
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"I had to spend my first night here in the hospital," he tells her. "It was kind of... I don't know, it was better than having to come back here and be alone, so if you wanna stay... I mean, you can. For as long as you need. You can take the bed even, I'll sleep out here."
A quick personal inventory tells him he'd changed the sheets yesterday, so he doesn't need to worry about anything there, at the very least.
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At his offer, though, she visibly relaxes, like letting out a held breath, tension she hadn't even realized she was still carrying beginning to ease. "Really?" she asks, her voice embarrassingly small. It shouldn't even need to be a question when he sounds certain enough, but all of this is still so surreal, and she isn't about to take his kindness for granted. "I... yeah. If you're sure."
The rest of what he's said catches up to her, and she gives a quick little shake of her head. "I'll be fine on the couch, you don't have to give up your room for me," she adds. "Honestly, I don't know if I'll be able to sleep anyway. I just... think it might help to know someone's nearby."
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He doesn't know everything she went through, but he'd seen it happen to Max, he had seen the way it took a toll on her, how exhausted she'd been. The haunted look in her eyes. Sometimes people don't even realize how tired they are until they finally have a chance to rest.
"And I'll be right here," he adds, even though he's not really much of a hero. "I've faced those evil bats, remember? I'll have the scars to prove it."
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Terrified as she's been, as she still is, she can't even bring herself to care that much about how her spending the night would look. Her dying in his trailer looked a whole lot worse, at least.
"Never knew you were such a badass," she says, though she sounds more serious than she'd like, still soft and unsure of herself. "I'll, uh, try not to make it look like you killed me, again."
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That's what good people do, he thinks. Brave people. Eddie doesn't think he's a bad guy, he tries to be kind to most people, but he knows he isn't really brave.
"We can just watch the movie for now," he tells her, leaning back into the couch, sinking into the cushions. "Just... not think about stuff for awhile."
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It is nice, though, just to sit here for a while, not to feel the kind of pressure she usually would to pretend to be okay. Of course she worries what he'll think of her, but he's been nothing but kind to her at every turn, and that means more than she'd know how to say.
"God, people would lose their minds if they could see this now," she says, huffing out a quiet laugh. "The two of us sitting on your couch, watching some old movie, me still in my cheer uniform. Might even be harder to believe than me just trying to buy some drugs."
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For Eddie, it would be kind of hilarious, watching people lose their shit over this. For Chrissy, it wouldn't be quite as funny, he figures. But she has a lot more to lose over being friends with him than he does being friends with her.
Or she used to, anyway.
"Shit, are you uncomfortable?" he asks. "I, uh, I have shirts. I don't think my pants will fit you, though." The shirt won't either, but maybe it'll be more comfortable because it'll be too big.
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She didn't ask, though, he offered, and from what she's gathered so far, everything she's wearing now plus what's in that envelope is the sum total of her belongings. Letting him lend her a shirt to sleep in when she owns nothing else wouldn't be the worst thing in the world. Even if she's not currently uncomfortable, it would be more comfortable than this.
"Actually... maybe a shirt?" she asks, apologetic and hopeful in equal measure. Worn out as she's been, though, and as stressful as the last week has been, she can't contain the laugh that follows. "That would really make people lose their minds."
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It's easy to look out for someone else.
"I'll find the biggest one I have, it'll be like a dress on you," he says, then gets off the couch again and heads into his bedroom. "You can change in here," he calls. "Or the bathroom is just down the hall."
It doesn't take him long rummaging in his dresser to find a band tee he'd found in a second hand store. It's a bit too big even for him.
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A little shy about it, she follows him a few seconds later, hanging back by the doorway, even as she reaches out for the shirt he's found. "I'm just gonna —"
With a tilt of her head, she gestures toward the bathroom, giving him a small but earnest smile as she does. "I want to get cleaned up a little, too."
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When she closes the bathroom door, Eddie turns back to the bedroom, making sure everything is acceptable and he isn't about to be embarrassed if she does sleep in here. The sheets are clean enough, he'd changed them recently, and he hasn't left anything disgusting lying around, no socks, no tissues, no obvious bottle of lotion on his bedside table, so that's good. He grabs the small plate he'd been using as an ashtray, then takes one final look around the room.
Everything looks more or less acceptable. Eddie nods and heads to the kitchen to dump the roaches from the plate into the trash, then shoves the plate into the dishwasher.
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On her own, it's easier to feel a surge of panic again, to wonder what will be on the other side of the door when she opens it. She tries to ignore that fear as best she can, staring at her own reflection in the mirror for a few moments, as if willing herself to pull it together. All she's doing is changing her clothes — a simple task, even if it's one she tends to dread.
Carefully, almost methodically, she unzips her hoodie, setting it aside before tugging her top overhead. She hates the way she looks as much as ever, but at least that's easily drowned out when she pulls Eddie's t-shirt on over her bra. After glancing down at it, checking the length, she unfastens and steps out of her skirt, too. The shirt is just as long, really, and she still has her shorts on underneath it, preventing her from feeling too immodest.
She takes her scrunchie out next, slipping it around her wrist instead, shaking her head to loosen her hair. Then she wets the hood of her sweater a little in the sink, using the damp part to clean off her eyeliner and the tear tracks on her cheeks. It'll have to do. With her cheerleading clothes neatly folded in her arms, she steps out of the bathroom and walks back to the living room. "Okay," she says. "I think this is better."
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And it matters more what she feels than what he thinks.
When she comes out of the bathroom, Eddie looks over and the first thing he thinks is that she looks really cute. Between his oversized t-shirt and her hair down around her shoulder, that crush he'd had on Chrissy back in middle school kind of roars to the forefront. Eddie's an idiot, like most nineteen-year-olds, but he's not so much an idiot that he actually say anything about how she looks. This really isn't the time.
"Good," he says, giving her another small, crooked grin. "You can dump your clothes wherever, just on the chair or the bed or..." He shrugs, then sweeps his arm ahead of himself, gesturing for her to go ahead.
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In all fairness, though, that sets the bar pretty low for what could be considered simpler. When things got bad, they got really, really bad.
Despite every reason she would have to be unsettled, though, Chrissy feels about as relaxed as she thinks it's possible to under the circumstances. He doesn't leer at her or look at her in disgust or some combination of the two, which is about what she would expect from anyone else. He seems just to be trying to put her at ease, and it's working, at least as much as anything could right now. "God, it's not like I'll even need these anymore," she says, half to herself, as she leaves the little pile of clothes on a chair before returning to the couch. "Hard to be a Hawkins High cheerleader when you're not even in Hawkins."
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Eddie doesn't try to be anything for anyone, just himself, and it's a rare thing that's what someone needs outside of a campaign.
"So eighties clothes? They're vintage now," he says, looking over at Chrissy with a smile. "I went to secondhand shops to find most of what's in my closet now. It hurts a little." He puts his hand on his chest. "Right here."
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"How are they vintage now?" If he said something about it before, she doesn't remember now. In all fairness, it's been a very strange hour, or day, or week, really. Of course she's a little overwhelmed and not quite able to keep up with everything. "You're not just messing with me, right? Because you've also told me we're in a different universe, that's gonna make anything you say after sound plausible."
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"Yeah, so..." He winces a little, mouth pulled down. "We're kind of thirty-six years in the future. The year is 2022."
They've jumped beyond 2001: A Space Odyssey, no missions to Jupiter, no monoliths, no giant space babies. At least as far as Eddie knows, but Darrow is a weird place and honestly, if someone were to tell him tomorrow there is a giant space baby, he's not sure he'd be all that shocked.
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